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Sony PTZ and operated cameras for rooms, studios and live production.

Two Sony SRG PTZ cameras, a PXW-Z300 camcorder and an RM-IP500 PTZ controller

SRG and BRC PTZ cameras with the RM-IP500 controller, XDCAM camcorders and Cinema Line cameras. Varto quotes Sony cameras on their own or as part of a production system, and checks the lenses, outputs and control each position needs.

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// SRG PTZ cameras

PTZ for classrooms, chambers and sanctuaries.

First decide whether the camera should frame people on its own. The SRG-A40, SRG-A12 and SRG-AS10 have Sony PTZ Auto Framing; the SRG-XS10 is the SRG-AS10 without it, for positions an operator drives or recalls from presets.

A white and a black Sony SRG-A series PTZ camera side by side

4K30 · auto framing

SRG-A40 and SRG-A12

Auto framing for one presenter or a group of up to eight, with 4K30 over HDMI, HD over 3G-SDI and PoE++ power. The A40 has the longer lens for deep rooms and the A12 a 12x lens for smaller ones. NDI|HX is an optional license on both.

A white and a black Sony SRG-AS10 series PTZ camera

4K60 · NDI HX2 included

SRG-AS10 and SRG-XS10

A 10x lens, 4K60 over HDMI and NDI HX2, which comes pre-installed, HD over 3G-SDI, and RTMP or SRT streaming from the camera itself. The AS10 adds auto framing; the XS10 leaves it out.

// production PTZ

Robotic cameras that cut with the rest of the show.

When a PTZ has to match operated cameras, look at the sensor and the outputs. The BRC-AM7 and the ILME-FR7 both output 12G-SDI and take genlock and timecode, and one RM-IP500 can drive several of them.

A black and a white Sony BRC-AM7 PTZ camera, front view

1.0-type sensor · 20x

BRC-AM7

4K60 with a 20x optical lens and auto framing, 12G-SDI plus an SFP+ optical output, two XLR inputs, and NDI|HX pre-installed.

A Sony ILME-FR7 Cinema Line PTZ camera with a zoom lens mounted in its yoke

full-frame · E-mount

ILME-FR7

A Cinema Line full-frame sensor with interchangeable E-mount lenses, for a shallow-focus look from a robotic position. The lens you choose sets the shot and much of the cost.

A Sony RM-IP500 PTZ controller with a joystick, preset keypad and zoom lever

joystick controller

RM-IP500

Runs up to 100 compatible BRC, SRG and FR7 cameras over IP, or seven over RS-422, with up to 100 presets. Some cameras need a firmware update for every feature.

// operated cameras

When someone runs the camera.

An XDCAM camcorder is the simplest operated position: built-in zoom lens, XLR audio, SDI and streaming in one body. A Cinema Line camera is for interchangeable lenses and a more cinematic picture.

A Sony PXW-Z200 handheld camcorder with its lens hood, top handle and flip-out screen

1.0-type · 20x

PXW-Z200

A compact XDCAM camcorder with a 20x lens, 12G-SDI with timecode, and RTMP or SRT streaming from the camera.

A Sony PXW-Z300 handheld camcorder with a large lens hood and a screen on the handle

three-chip · 17x

PXW-Z300

Three 1/2-type 4K sensors and a 17x lens that holds F1.9 through the zoom, with 12G-SDI and HDMI out at once.

A Sony FX6 Cinema Line camera with a zoom lens and a top handle

full-frame · 12G-SDI

ILME-FX6

Full-frame Cinema Line camera with built-in variable ND, XLR audio, timecode and 12G-SDI for a live switcher. It has no genlock input, so the switcher frame-syncs it.

A Sony FX30 Cinema Line camera body without a lens, front view

compact · HDMI

ILME-FX3A and ILME-FX30

Compact E-mount bodies for gimbal and second-camera work, full-frame (FX3A) or Super 35 (FX30). HDMI out only, so an SDI production adds a converter.

// next step

Tell us the room and who runs the cameras.

Or send the model numbers. Either one gets a quotation.