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Authorized Sony dealer

Sony PTZ and operated cameras for rooms, studios and live production.

Two Sony SRG PTZ cameras, a PXW-Z300 camcorder and an RM-IP500 PTZ controller

SRG and BRC PTZ cameras with the RM-IP500 controller, XDCAM camcorders and Cinema Line cameras. Varto quotes Sony cameras on their own or as part of a production system, and checks the lenses, outputs and control each position needs. We can install the cameras with the rest of your system and train the operators on the camera controls.

Prefer to talk? (888) 656-6233

SRG PTZ cameras

PTZ for classrooms, chambers and sanctuaries.

First decide whether the camera should frame people on its own. The SRG-A40, SRG-A12 and SRG-AS10 have Sony PTZ Auto Framing; the SRG-XS10 is the SRG-AS10 without it, for positions an operator drives or recalls from presets.

A white and a black Sony SRG-A series PTZ camera side by side

4K30 · auto framing

SRG-A40 and SRG-A12

Auto framing for one presenter or a group of up to eight, with 4K30 over HDMI, HD over 3G-SDI and PoE++ power. The A40 has the longer lens for deep rooms and the A12 a 12x lens for smaller ones. NDI|HX is an optional license on both.

A white and a black Sony SRG-AS10 series PTZ camera

4K60 · NDI HX2 included

SRG-AS10 and SRG-XS10

A 10x lens, 4K60 over HDMI and NDI HX2, which comes pre-installed, HD over 3G-SDI, and RTMP or SRT streaming from the camera itself. The AS10 adds auto framing; the XS10 leaves it out.

production PTZ

Robotic cameras that cut with the rest of the show.

When a PTZ has to match operated cameras, look at the sensor and the outputs. The BRC-AM7 and the ILME-FR7 both output 12G-SDI and take genlock and timecode, and one RM-IP500 can drive several of them.

A black and a white Sony BRC-AM7 PTZ camera, front view

1.0-type sensor · 20x

BRC-AM7

4K60 with a 20x optical lens and auto framing, 12G-SDI plus an SFP+ optical output, two XLR inputs, and NDI|HX pre-installed.

A Sony ILME-FR7 Cinema Line PTZ camera with a zoom lens mounted in its yoke

full-frame · E-mount

ILME-FR7

A Cinema Line full-frame sensor with interchangeable E-mount lenses, for a shallow-focus look from a robotic position. The lens you choose sets the shot and much of the cost.

A Sony RM-IP500 PTZ controller with a joystick, preset keypad and zoom lever

joystick controller

RM-IP500

Runs up to 100 compatible BRC, SRG and FR7 cameras over IP, or seven over RS-422, with up to 100 presets. Some cameras need a firmware update for every feature.

operated cameras

When someone runs the camera.

An XDCAM camcorder is the simplest operated position: built-in zoom lens, XLR audio, SDI and streaming in one body. A Cinema Line camera is for interchangeable lenses and a more cinematic picture.

A Sony PXW-Z200 handheld camcorder with its lens hood, top handle and flip-out screen

1.0-type · 20x

PXW-Z200

A compact XDCAM camcorder with a 20x lens, 12G-SDI with timecode, and RTMP or SRT streaming from the camera.

A Sony PXW-Z300 handheld camcorder with a large lens hood and a screen on the handle

three-chip · 17x

PXW-Z300

Three 1/2-type 4K sensors and a 17x lens that holds F1.9 through the zoom, with 12G-SDI and HDMI out at once.

A Sony FX6 Cinema Line camera with a zoom lens and a top handle

full-frame · 12G-SDI

ILME-FX6

Full-frame Cinema Line camera with built-in variable ND, XLR audio, timecode and 12G-SDI for a live switcher. It has no genlock input, so the switcher frame-syncs it.

A Sony FX30 Cinema Line camera body without a lens, front view

compact · HDMI

ILME-FX3A and ILME-FX30

Compact E-mount bodies for gimbal and second-camera work, full-frame (FX3A) or Super 35 (FX30). HDMI out only, so an SDI production adds a converter.

next step

Tell us the room and who runs the cameras.

Or send the model numbers. Either one gets a quotation.